
Quig's Meats & Eats
Brand identity and website design for a scratch kitchen serving burgers, tenders, and catering in St. Johns, Florida.
View case studyI’m Sabrina Awdi, a brand and web designer for women-owned businesses, and the graphic designer Orange Park companies can bring a whole brand to: logo suites, type and color systems, packaging, websites and SEO. I’m based in Jacksonville, just across the town’s northern line, and I build identities that read clearly on a Park Avenue sign, a menu, a phone screen and a search result.

A logo is the easy part. The harder work is everything around it: a type hierarchy that handles a storefront sign and a social caption, a palette that still reads in one color, and guidelines your team can follow without me in the room. Orange Park businesses show up in a lot of places at once, from a Park Avenue storefront to a flyer pinned up before the Fall Festival to a listing someone pulls up on their phone. I design the system so every one of those looks like the same brand.
An identity system that:
Four services, one system. Each one carries the same identity forward, so your brand looks and sounds like itself from the first sketch to the search results.
Identity systems, packaging, book covers and websites for brands in beauty, food and beverage, software, publishing and professional services. The same care goes into every Orange Park project.

Brand identity and website design for a scratch kitchen serving burgers, tenders, and catering in St. Johns, Florida.
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A full rebrand and website for Balance Brightness, an accounting coaching and training brand helping professionals across Lebanon master the practice and pass their exams.
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Brand identity, website, and SEO for Class, Race & Corporate Power, a political journal publishing work for activists, scholars, and community organizers.
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Brand identity and website design for a Jacksonville shower door and glass enclosure manufacturer, from a new logo through a full product website built for the contractors and installers who buy from them.
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Workshop presentation and handout design for Balanced Financial Wellness, turning dense financial education into clear, approachable slides for credit union members.
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Website design for a family-owned seafood restaurant in Atlantic Beach, Florida, a laid-back coastal site built to turn hungry visitors into online orders and walk-ins.
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Short-form social content for Rebound Rehabilitation, filming, editing, and posting reels that turn a physical therapy clinic's day-to-day into scroll-stopping Instagram and TikTok.
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Social media design and content produced at Allora Marketing, branded posts, carousels, and reels for clients including Taste of Italy Calgary and Desired Cleaning.
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Brand identity for Bella Tia, a beauty salon in Macomb, Michigan, balancing luxury and elegance with a sense of calm.
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Branding and UI design for Wander, a concept travel app for discovering places around a traveller's own interests.
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Brand identity for Aflore, a beauty salon in Bucharest, Romania, built around femininity, sophistication, and restraint.
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Brand identity and packaging system for Skinhance, a skincare company built around simplicity, care, and visible results.
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Brand identity and web design for Literature & Code, the first Bitcoin-only software company in the Middle East, built on a minimalist visual system that reworks the Renaissance for modern software.
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Book cover design for Michael Sullivan's 'Building Bridges: Can We Love & Relate in a Polarized World?' A cover built to capture the book's heart and stop a reader mid-scroll.
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Brand identity redesign, social media, and video editing for Tannous Group, a furniture and interior design house. A refined TG identity and sub-brand system, applied across products, uniforms, and a family of Instagram feeds.
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A self-directed packaging concept for Crimson Red, a cranberry ale inspired by the annual Massachusetts cranberry harvest. I designed and illustrated everything, from the folk-art harvesting illustration to the label, four-pack carrier, and mockups.
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A 2D motion piece that gleefully breaks every rule in the graphic-design handbook, clashing grids, warped type, and intentional chaos.
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My RIT 3D motion final: the synthwave aesthetic dropped into deep space, built entirely from abstract elements: a rippling sea, planets and a moon, a rainbow diamond, and, at the end, a lone skull.
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A re-imagined 3D title sequence for the action-comedy film 'The Spy Who Dumped Me', where romance and espionage collide in glossy, candy-red typography.
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A fictional user interface (FUI) concept: a heads-up scanner that locks onto the person in front of you and reads them in real time.
View case studySabrina has shown to be a competent designer with a keen eye even on the smallest details. She has shown high levels of professionalism and work ethic, and was able to get the designs done in a fast manner. I would recommend working with her on building your brand identity and web design for your business.
I am immensely grateful for Sabrina's exceptional talent and deep understanding of my vision. Her professionalism and efficient communication made the collaboration seamless. I wholeheartedly recommend her services to anyone seeking professional and creative design. Thank you, Sabrina, for your invaluable contribution.
Sabrina provided me with an amazing book cover. She has successfully catapulted my book into the hands of people willing to pay money for it. She was easy to work with and paid attention to the details necessary to send the right message to my audience. I highly recommend her to others looking to grow their brand.

I’m a graphic and brand designer with over four years of experience building visual identity systems for brands in beauty, food and beverage, software, publishing and professional services, for clients across the US, Europe and the Middle East. I work by email, which keeps every decision written down and easy to find later. For Orange Park businesses that means a clear brief, feedback you can give on your own schedule, and finished files organized so your printer, sign maker and web team all start from the same place.
Research, references, and the problem the design has to solve.
Sketches and routes explored broadly before anything gets refined.
Type, colour, and layout resolved into a system that holds together.
Production-ready files, guidelines, and everything needed to use them.
Orange Park sits in the northeast corner of Clay County on the St. Johns River, with Jacksonville right across its northern line. The town is built around US 17 and State Road 224. Park Avenue is its main street, running north toward Jacksonville and I-295, and Kingsley Avenue is the other. Plenty of first impressions here happen from the road, so a sign and a logo have to be legible at a glance.
The town has an unusual start. It was founded in 1877 by the Florida Winter Home and Improvement Company, many lots were planted in orange trees, and the name reflects its founders’ hope for a fruit-growing industry. A 1,200 foot wooden pier once brought steamboats and the northern tourist trade. The groves never recovered after the Great Freeze of 1894 and 1895, but the name stayed, and so did a story a thoughtful brand can draw on.
Many households here are affiliated with the military, with NAS Jacksonville less than six miles away, and many others work in the medical field. The town keeps a full calendar too, from the Fall Festival to Orange Park After Dark and the Farmers’ & Arts Market. A brand in Orange Park speaks to service families, healthcare workers and everyone who turns up for those events, so I design identities that feel local and still look ready for a much larger market.
Beyond Orange Park, I work with businesses across Northeast Florida, from Jacksonville to St. Augustine, Ponte Vedra Beach, Jacksonville Beach and Fernandina Beach.
Clay County’s riverside town on the St. Johns, where Park Avenue brands need to read at a glance.
Yes. I’m a graphic and brand designer based in Jacksonville, and Orange Park is one of the Northeast Florida areas I serve. I work by email, so an Orange Park business can share its goals, references and feedback in writing, keep every decision on record, and reply whenever the day allows. The finished files arrive organized for print, screen, packaging and social.
For an Orange Park small business I usually design the identity first: a logo suite, color palette, type system and brand guidelines. From there the same system carries into signage files, menus, packaging, social graphics, presentations and a website. I also design book covers, editorial layouts and motion graphics, so one designer can cover most of what an Orange Park brand needs to look consistent.
Every Orange Park project starts with a short email conversation about your business, your customers and what is not working with your current look. I then send a clear plan covering the scope and the deliverables. Once you approve it, I move through discovery, a visual direction with mood boards, design and final delivery, checking in with you by email at each step.
Very little to begin. Tell me what your Orange Park company does, who buys from you, and which brands you admire or want to stand apart from. Send any existing logo files and photos, and list the places your brand needs to appear, like a storefront, a vehicle, packaging or a website. If you are starting from scratch, that is fine; the discovery step fills in the rest.
Yes. I design every Orange Park identity to work in print and on screen from the start. The palette is tested in one color and on dark backgrounds, the logo suite includes a submark that holds at favicon size, and the files are prepared for printers, sign makers, packaging suppliers and web builds. That way a flyer, a storefront sign and your social profiles all match.
Orange Park is one of several areas I serve. I’m based in Jacksonville and work with businesses across Northeast Florida, including St. Augustine, Ponte Vedra Beach, Jacksonville Beach and Fernandina Beach, as well as clients across the US, Europe and the Middle East. Because I work by email, an Orange Park business gets the same process and attention as any other client, wherever they are.
Tell me about your business and what you want your brand to do. I’ll come back with a clear plan and no pressure.