
Quig's Meats & Eats
Brand identity and website design for a scratch kitchen serving burgers, tenders, and catering in St. Johns, Florida.
View case studyI’m Sabrina Awdi, a brand and web designer for women-owned businesses, and the graphic designer Jacksonville Beach companies work with on brand identity, websites, SEO and marketing. Jax Beach is its own city with its own oceanfront pace, and the restaurants, shops and surf businesses along 1st Street need design that stands out to regulars and visitors alike.

A logo is the easy part. The real work is everything it has to carry afterward: the menu board near the pier, the shopfront on 1st Street, the Instagram post, the website a visitor opens from a hotel room. In Jacksonville Beach a brand is seen by regulars who walk past it every week and by first-time visitors deciding quickly where to go. I build identity systems that read clearly for both, with the type, colour and rules that keep every piece consistent once I hand them over.
An identity system that:
Four services, one consistent brand. Each one starts from your identity, so your signage, website, search listings and social posts all look like the same business.
These projects come from brands in beauty, food and beverage, software, publishing and professional services, for clients across the US, Europe and the Middle East. The same thinking carries to a business on the First Coast.

Brand identity and website design for a scratch kitchen serving burgers, tenders, and catering in St. Johns, Florida.
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A full rebrand and website for Balance Brightness, an accounting coaching and training brand helping professionals across Lebanon master the practice and pass their exams.
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Brand identity, website, and SEO for Class, Race & Corporate Power, a political journal publishing work for activists, scholars, and community organizers.
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Brand identity and website design for a Jacksonville shower door and glass enclosure manufacturer, from a new logo through a full product website built for the contractors and installers who buy from them.
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Workshop presentation and handout design for Balanced Financial Wellness, turning dense financial education into clear, approachable slides for credit union members.
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Website design for a family-owned seafood restaurant in Atlantic Beach, Florida, a laid-back coastal site built to turn hungry visitors into online orders and walk-ins.
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Short-form social content for Rebound Rehabilitation, filming, editing, and posting reels that turn a physical therapy clinic's day-to-day into scroll-stopping Instagram and TikTok.
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Social media design and content produced at Allora Marketing, branded posts, carousels, and reels for clients including Taste of Italy Calgary and Desired Cleaning.
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Brand identity for Bella Tia, a beauty salon in Macomb, Michigan, balancing luxury and elegance with a sense of calm.
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Branding and UI design for Wander, a concept travel app for discovering places around a traveller's own interests.
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Brand identity for Aflore, a beauty salon in Bucharest, Romania, built around femininity, sophistication, and restraint.
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Brand identity and packaging system for Skinhance, a skincare company built around simplicity, care, and visible results.
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Brand identity and web design for Literature & Code, the first Bitcoin-only software company in the Middle East, built on a minimalist visual system that reworks the Renaissance for modern software.
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Book cover design for Michael Sullivan's 'Building Bridges: Can We Love & Relate in a Polarized World?' A cover built to capture the book's heart and stop a reader mid-scroll.
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Brand identity redesign, social media, and video editing for Tannous Group, a furniture and interior design house. A refined TG identity and sub-brand system, applied across products, uniforms, and a family of Instagram feeds.
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A self-directed packaging concept for Crimson Red, a cranberry ale inspired by the annual Massachusetts cranberry harvest. I designed and illustrated everything, from the folk-art harvesting illustration to the label, four-pack carrier, and mockups.
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A 2D motion piece that gleefully breaks every rule in the graphic-design handbook, clashing grids, warped type, and intentional chaos.
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My RIT 3D motion final: the synthwave aesthetic dropped into deep space, built entirely from abstract elements: a rippling sea, planets and a moon, a rainbow diamond, and, at the end, a lone skull.
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A re-imagined 3D title sequence for the action-comedy film 'The Spy Who Dumped Me', where romance and espionage collide in glossy, candy-red typography.
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A fictional user interface (FUI) concept: a heads-up scanner that locks onto the person in front of you and reads them in real time.
View case studySabrina has shown to be a competent designer with a keen eye even on the smallest details. She has shown high levels of professionalism and work ethic, and was able to get the designs done in a fast manner. I would recommend working with her on building your brand identity and web design for your business.
I am immensely grateful for Sabrina's exceptional talent and deep understanding of my vision. Her professionalism and efficient communication made the collaboration seamless. I wholeheartedly recommend her services to anyone seeking professional and creative design. Thank you, Sabrina, for your invaluable contribution.
Sabrina provided me with an amazing book cover. She has successfully catapulted my book into the hands of people willing to pay money for it. She was easy to work with and paid attention to the details necessary to send the right message to my audience. I highly recommend her to others looking to grow their brand.

I’m a graphic and brand designer based in Jacksonville, FL, with over 4 years of global experience building visual identity systems for brands in beauty, food and beverage, software, publishing and professional services. I work with Jacksonville Beach businesses by email, which keeps every decision written down and easy to find. You get a clear brief, focused rounds of feedback, and finished files you can hand to a printer, a sign maker or a web developer without me in the middle.
Research, references, and the problem the design has to solve.
Sketches and routes explored broadly before anything gets refined.
Type, colour, and layout resolved into a system that holds together.
Production-ready files, guidelines, and everything needed to use them.
Jacksonville Beach is its own city. It started as Pablo Beach, took its current name in 1925, and kept its own municipal government when Duval County and Jacksonville consolidated in 1968. It sits about 17 miles from downtown Jacksonville, at the ocean end of Beach Boulevard, and State Road A1A is its main commercial corridor. A brand here speaks to a beach town, not to a downtown office district.
Visit Florida calls Jacksonville Beach the most commercially active of the three Beaches communities, with the pier, a dining and nightlife corridor along 1st Street and the most visitor infrastructure. It also counts the city among the stronger surf communities on Florida’s Atlantic coast. That mix of dining, nightlife and beach businesses competes for the same foot traffic, so a sign or a menu has to be read in a glance and remembered by the end of the block.
The calendar matters too. Spring break brings large college crowds in mid-to-late March, Springing the Blues fills the Seawalk Pavilion with a free festival each spring, and Deck the Chairs has turned lifeguard chairs into holiday light displays since 2013, with local businesses among the decorators. A brand that works in Jax Beach has to hold up across busy season, festival weekends and the quieter weeks when regulars carry the business.
Jacksonville Beach is one of the Northeast Florida communities I work with, alongside St. Augustine, Ponte Vedra Beach, Orange Park, Fernandina Beach and Jacksonville.
Brand and web design for the restaurants, shops and surf businesses along 1st Street and the pier.
Yes. Jacksonville Beach is one of the Northeast Florida service areas I chose to focus on, and I work with businesses there on brand identity, websites, SEO and digital marketing. I’m based in Jacksonville, FL, and I run projects by email, so a restaurant near the pier or a shop on 1st Street gets the same clear process as a client in Europe or the Middle East.
Most Jacksonville Beach businesses need a brand that works at two speeds: a sign or menu a visitor reads in passing, and a website or social profile a regular checks again and again. I design logo suites, type and colour systems, packaging, menus, social graphics and websites, all from one identity, so every piece looks like the same business.
Yes, and that balance shapes the work. Jacksonville Beach draws visitors for the pier, the beach and events at the Seawalk Pavilion, while regulars keep a business going between busy weekends. I build identities that a first-time visitor recognises quickly and that stay consistent enough for a local to trust the same look on a menu, a receipt and an Instagram post.
No. I work with Jacksonville Beach clients by email, which keeps feedback, files and decisions in one written thread you can come back to. You send your brief, references and any existing assets, and I reply with concepts, refinements and final files. It is the same process I use with brands across the US, Europe and the Middle East.
A Jacksonville Beach project starts with an email through my contact page. Tell me what the business does, who it serves, where the brand needs to show up (signage, menus, a website, social) and what is not working today. I reply with questions, then a proposed scope, and once we agree I begin with discovery and visual direction before any design.
Yes. A Jacksonville Beach brand lives on a shopfront, a menu, a T-shirt and a phone screen, often in the same week. I design print and digital together and deliver production-ready files for each, so your printer, your sign maker and your web developer all work from the same colours, type and logo rules.
Tell me about your business and where your brand needs to show up. I’ll reply by email with a few questions and a clear next step.